Col
Co-Lord President
United Kingdom
4336 Posts |
Posted - 30 Aug 2007 : 02:39:46
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My recollection of the first cover I did for the Target Books Doctor Who range, "The Rescue" was that after my first submission was turned down ( looking back on that I can see why, it is very bland ), I submitted another idea, and that was accepted. I don't remember ever being commissioned to do it.
The next ( the second and last for Target ) cover was for "The Space Pirates". Again I had submitted an idea ( a montage with Craven and a couple of the spaceships I think ), but it was at a Doctor Who Convention in Coventry that Alistair Pearson was on stage and was asked if he was doing the cover ( at that time, bar the David Whittaker Dalek stories and Douglas Adams scripts, all but two stories were due to see print ). I was surprised to hear him say that Tony Clark was doing the cover for "The Space Pirates", so I 'phoned Peter Darvell-Evans on Monday after the Convention. Peter didn't want to use the cover I had submitted, but would like me to do a new one and it was needed the following week !
I seem to remember spending 3 days faxing pencil sketch ideas to Peter ( I was quite busy at work too at the time ), and painted the cover over a couple of evenings or maybe the weekend.
The pose of the Space Pirate was taken from a photo of Tom Selleck in the sci-fi film "Runaway" that I spotted in Starburst. I wanted a Bond-like pose.
To have used Troughton's face would have required artwork approval, and there was no time for that. They had Fraser Hines permission to use his likeness, but I didn't think Jamie had a lot to do in that story.
I delivering the cover early in the morning before going to work and I'm sure W H Allen had moved offices around this time too ( somewhere close to the Clerkenwell area of London if I remember right ), it was a different place to their office where I delivered "The Rescue" ( somewhere near Park Lane I think ).
I quite liked the art at the time, I thought it got away from the usual Doctor Who covers of that era. I'm not too keen on it now.
The Rescue was painted with Gouache paint and The Space Pirates mostly in Acrylic as I had experimented with acrylic after Andrew Skilleter told me how much better he thought acrylics were than gouache.
The Rescue art was a little bigger than A4 and The Space Pirates about A3 size. I did it bigger as I thought with the lack of time to paint it and then reducing the art to the size of the cover, would make the art look better !
The Doctor's head on The rescue was painted on a piece of paper and stuck to the cover, it had fallen off by time I picked it up from W H Allen some time later. It was painted on paper because I hadn't masked the area where the Doctor's head was going to be painted, and the green airbrushed paint would mix with the flesh colour of the Doctor's head ( one of the disadvantages of gouache paint).
There was no attempt by W H Allen to return the work, it was just shoved in a draw, I just happened to ask for it back.
Tony Clark.
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When you have seen the ages i have seen.................... |
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